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While it's become far too easy these days to sling arrows at the absurdly talented (and frequently absurd) Kanye West, there's no denying the guy knows how to make an entrance. Last week saw a stunt never before attempted by a musician, that grappled the attention of the entertainment world, for a few minutes at least, this past Friday night. On 66 different buildings around the world, (Toronto, London, New York City and Los Angeles to name a few) Kanye West projected a minimalist-meets-egotist video announcing the title and release date of his 6th and latest album, Yeezus, while simultaneously debuting the albums first single and video New Slaves. Here's how it went down:

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There’s been a general gripe emanating from inside the music world and surprisingly it has very little to do with sagging record sales or the hype surrounding the new Daft Punk. In fact, this gripe originates from the one place artists are still able to turn a profit: live shows. It seems that with the advent of camera phones, along came concert attendees incessant need to capture every second of every show on video, with no regard for blocking the view of their fellow concert attendees behind them. It’s become so much of an issue that recently, indie rock legends The Yeah Yeah Yeah’s, proposed an in-concert camera phone videoing ban.

But why such drastic measures? Is a band as popular as YYY's really trying to harsh the good times of their fans? No. This may have less to do with a particular bands concerns surrounding piracy and more to do with a growing concern of our present and how we relate to time in general.

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The world of apps is, to put it mildly, rather congested. With a never-ending stream of new app content coming down the pipeline, it can be daunting and make you reach out for a lifeline. Today we at Lowe Counsel Blog are going to guide you to that lifeline. If you're thinking of blowing off some steam this weekend and would like to partake in a social activity that requires a few smart phone or tablet owning friends of yours, look no further that the miraculous innovation from Google Chrome Experiment, Racer.

But here's the catch: you won't find Racer in any App Store. And 'why is that?' you may ask. Because it's just simply not an app.

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A good way to determine the culture of a neighborhood is by the music its residents listen to. In the days before white ear buds and mp3's, (aka the days of blasting boom boxes and thumping car stereos), you'd easily get a sense of how your neighbors enjoyed their music. Sadly, with the increasingly personalized musical experience blotting out most non-concert, in-real-life-musical ones, those days are quickly fading away. But a new mobile app re-captures that spirit in a very tech-friendly, social media way. Get ready to tune in to Clerkd.

Here's how this Helsinki-based student-created app works:

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Occasionally we run into an ad campaign that is so blunt and so bizarrely straightforward, that it's just plain weird. You walk away with the sense someone is playing a trick on you. That was the exact reaction we had when stumbling upon the oddball web campaign for the New Old Spice Shave Gel. It wasn't so much the videos, since, true to form, those are the usual weird fare. We think you'd agree:

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In the music world, 12 years is like a century. It's rarified air in which any label lasting that long reside. So many come and go without leaving much more than a whisper of a few memorable bars (if even that lucky), that when somehow, against all odds, a label goes the distance, it's worth recognizing. Venerable NYC record label, and extended family of awkward music nerds, DFA Records (birthplace of LCD Soundsystem, The Rapture and many more like-minded bands), turns 12 this year. Yes, that means they're ending their childhood and venturing into their teen years, not fully aware of the awkwardness ahead. But before they take that journey down a winding road, Red Bull Music Academy took it upon themselves to peel back the curtain on one of the more lasting and seminal indie labels of the 00's, and see how they made it this far to begin with.

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When the Google Search mobile app was first launched back in 2010, little was known of the apps applicability outside the world of search. It seemed like a one trick pony, treated like a mule with heavy cargo: Lots of functions that you’d never use. But as updates for the app rolled in over the last few years, the app has proven to be invaluable in more way than initially presented.

Photographer Sam Bland figured that out, but also found a schism between the efficient functionality of the apps technology and the unruly randomness of the real world. While using the Google Goggles in-app function, which uses image as the sole search criteria (you snap a photo, Google fetches related images and information), Bland ran into a problem that he's now spun into a glorious collection of images. His Google Goggles was inaccurately retrieving images and made for some discombobulated viewing. For instance, an image of a tennis racket brought back a blurry coffee pot mish-mashed together with other unrelated images.

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Over the past few years we've been closely watching the quiet revival of American manufacturing, and the cache that it carries with it. It's simultaneously old and new in spirit and yet never has felt more hopeful or inspiring. The aesthetics have unsurprisingly been exported the world over, influencing the "crafted" nature of the new way we define "luxury". Handmade, carefully crafted, nearly obsessive in build, this new/old approach to product design and manufacturing revives a time-period when the tag "Made In America" not only meant quality, but desirability and staying power. In today's world of "fast fashion" that's a pretty damn luxurious trait.



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